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Autobiography is Ashlee Simpson's debut studio album that was released on July 20, 2004 by Geffen Records.

TracklistingEdit

  1. Autobiography 3:34
  2. Pieces Of Me 3:39
  3. Shadow 3:59
  4. La La 3:44
  5. Love Makes The World Go Round 3:46
  6. Better Off 3:29
  7. Love For Me 3:30
  8. Surrender 3:21
  9. Unreachable 3:55
  10. Nothing New 3:08
  11. Giving It All Away 2:58
  12. Undiscovered 4:57

Album BackgroundEdit

Ashlee Simpson described the process of writing the album's twelve songs as being similar to keeping a diary, and before the album's US release she said that "My inspiration came from what I have gone through in the past three years. Every single day I was thinking of what I was going through and would write songs about it."

The lyrics primarily deal with love and heartbreak; in particular, much of the album's lyrical content was inspired by Simpson's breakup with her boyfriend at the time, Josh Henderson. She has described the album as being "very honest" and "very true to my emotions"—"I wasn't afraid to say that I was hurting and how I got over it."

Simpson worked closely with a number of experienced songwriters on the album. The album's producer, John Shanks (who won a Grammy award in February 2005, in part for his work as producer on Autobiography") receives songwriting credit alongside Simpson on all but two songs.

Kara DioGuardi also receives songwriting credit (together with Simpson and Shanks) on seven of the songs, including the three singles.

The album incorporates rock as well as pop elements, which contrasts with the heavily pop-oriented music of sister, Jessica.

One reviewer noted that, unlike Jessica's music, Ashlee's album "relies on glitzy guitars and big power-pop riffs".

On her reality show, Simpson emphasized that she did not want to make her music like pop singers such as her sister or Hilary Duff; instead, she has cited musicians such as Chrissie Hynde and Joan Jett as influences.

In a 2004 interview, Simpson said that when she began seeking a recording contract record labels would not meet with her because they thought she just wanted "to be like her sister".

she also said that she did not want to meet with Jessica's record label (Columbia) because she wanted to be signed because of her music, rather than her sister and eventually signed with Geffen records in 2003.

As for Simpson's role as co-writer of the songs, she has said that she had a lot of input lyrically: "...I come up with the whole concept of the song. To me, writing is a very important thing. It's what I've always done and what I've always loved to do, and it was a big part of my wanting to do a record. So my label was amazing because they really let me have my hands in there. I got to write a lot."

Simpson said of making the album: "It's a lot of work. From finding the right label to the actual recording, it took about nine months, then it was followed by the publicity work."

In an extensive list of thank-yous in the album's liner notes, Simpson includes Benji and Joel Madden of the band Good Charlotte, with whom she worked on the song "Harder Everyday" (which was released as an international bonus track).

CompositionEdit

The title track (which was also the theme song to her MTV reality series "The Ashlee Simpson Show") opens the album by introducing Simpson, who sings "got stains on my t-shirt, and I'm the biggest flirt" and "if you want my auto, want my autobiography / baby, just ask me".

The Village Voice review described the song as "wrist-pumping Joan Jett rock candy", but Stylus labelled the track "an age-old trope and a boring one at that".

"Pieces of Me" (a song about the comfort and happiness Simpson found in her relationship with singer Ryan Cabrera) has been characterised as a soft rock ballad with "stringy guitar riffs".

"Shadow" (described by People magazine as the "most personal song" on the album) is a slower tune in which Simpson recounts playing a lesser role to her sister when she was younger, but eventually finding her own identity.

The album continues with "La La", a song with sexual lyrics that Simpson has described as "tongue-in-cheek." One reviewer described it as a "punk inspired, fast beat, screaming anthem."

"Love Makes the World Go Round", which epinions.com described as having a "Duff vibe", talks about the disappointment of an ending relationship.

"Better Off", which has been described as a "bubbly" song and as a "chunk of pop/rock goodness."

"Love Me For Me", has been called "Joan-Jett-esque"; Simpson said that the song is about "self-appreciation."

The synth-driven "Surrender" follows with Simpson consenting to a breakup, with lyrics such as "you make your misery my company"; epinions wrote that it is on this track that Simpson sounds "most loose and carefree".

"Unreachable" combines a piano line and vintage Chamberlin sounds with lyrics dealing with regrets about rushing into a relationship.

Simpson has described "Nothing New" as being about her frustration with an ex-boyfriend's "dramas", until she is ultimately "finished with him."

The song "Giving It All Away" encourages the listener to stand on one's own feet: "hold on to your life and don't give that away", (according to Simpson).

The closing track, "Undiscovered" (which Simpson has described as a favorite of hers), was written after her breakup with Josh, and is described by epinions.com as a song with "haunting strings" and "mellow guitars"; in the song, Simpson ponders what might have been in a lost pairing.

Non-US pressings of the album follow with "Harder Everyday", and the United Kingdom album edition adds "Sorry", while the Japanese edition closes with "Endless Summer."

The US Wal-Mart edition of the album also included an access code to download a reduced-quality version of "Sorry" on the Internet.

Chart PerformanceEdit

In the United States, "Autobiography" was the biggest debut album by a female artist in 2004. In September of 2004, it was certified triple platinum by the RIAA.

Following its release, the album debuted at #1 on the Billboard 200, selling about 398,000 copies. According to Nielsen SoundScan figures, the album sold a total of 2,576,945 copies from the time of its release until January of 2005, making it the ninth best-selling album of 2004.

In Canada, it sold about 3,000 copies in its first week (number 37 on the album chart); the album rose on the chart to #8 at one point, and went double platinum in February 2005.

The album was released in the UK on October 4, 2004, and debuted at #31 on the UK Album charts; however, it returned to the top 40 in January 2005, rising substantially from #91 to #33 in the week ending January 24, following Simpson's promotion of "La La" (the album's second single in the UK, released on January 24, 205.).

In Ireland, "Autobiography" peaked at #22 on the chart in late January, at the same time as "La La" was released as a single chart. The album also reached #36 in Switzerland and # 29 in Norway.

Simpson's success in album sales with "Autobiography" outshines that of her sister Jessica (who despite having a singing career since 1999) has failed to attain major success with record sales until Simpson appeared on her 2003 reality television show.

Geffen President Jordan Schur said of Simpson's success, saying: "It's unheard of in this business—even for a superstar—to sell this number of records," and emphasized her relative obscurity until not long before the album's release.

Simpson expressed surprise at the degree of her album's success, saying: "I just hoped my album charted. I didn't expect it to be number one in the country! It was a huge shock." In Brazil, "Pieces of Me" was the theme of the soap opera "America" and made huge success selling about 15,000 copies of the album in the country.

Critical ReceptionEdit

The critical reviews of "Autobiography" were mixed.

People magazine considered it a "passable debut" and said that it showed Simpson was a "credible talent in her own right."

Allmusic called it "an unexpectedly strong debut."

The Village Voice compared Autobiography favorably to Courtney Love's 2004 album, "America's Sweetheart", referring particularly to Autobiography's "Fruit Stripe bubblegrunge guitars and insanely chewy melodies and an ear-tickling production job."

It also praised Simpson's singing, saying that she "can pack so much contradictory emotion into a single line—a single word—that the music can barely contain it."

According to Blender, all of the album's songs "paint in huge strokes"; its review also regarded Simpson's vocals positively.

E! Online also praised Simpson's singing and catchy tracks, saying that "Ashlee Simpson still managed to piece together this collection of tracks that sound as if they were ripped right from the pages of her diary. Ashlee even makes you think twice about her semicharmed life. So, even if it doesn't wow you, Autobiography may surprise you."

Other critics were more negative.

Rolling Stone called it "mundane...with a predictable script" and at one point described Simpson's singing as "wailing in lieu of hitting notes".

In its review, the BBC said that "half the album ... feels self indulgent and lacks substance", but also said that "in between the formulaic, innocuous songs are a smattering of catchy pop-rock tracks."

IGN.com called it "by-the-books, generic (and at times bland) pop/rock" although it did say Simpson's vocals showed maturity and promise.

A writer for Stylus magazine commented that "after spending more than forty minutes with Ashlee, I feel like I don’t know her any better than I did beforehand...[and] for a record with the name Autobiography, it seems like no bigger criticism could be leveled."

The New York Times said that the album "is a thoroughly calculated package, aiming for the same audience that embraces Avril Lavigne and Pink."

PromotionEdit

"Autobiography" and its singles received considerable promotion in the United States (where they sold the most copies and other countries) and much of this focused on contrasting Ashlee with Jessica by highlighting her more rock-oriented image.

This image distinction from Jessica did not mean that the two of them were not associated in publicity, however; the sisters appeared together in television commercials at around the time of the album's release for Pizza Hut and Ice Breakers Liquid Ice.

A key element of Simpson's promotion was "The Ashlee Simpson Show" which debuted on MTV on June 16, 2004, airing for eight episodes & achieving high ratings for cable television.

Jessica's reality show, "Newlyweds: Nick and Jessica", had debuted in 2003 and had proved highly successful, being credited with reviving her flagging music career; reality television proved similarly effective in helping launch Simpson's music career.

It has been said that Simpson's father and manager Joe Simpson "redefined how you sell records" through his use of reality television to promote his daughters.

Simpson said that she initially did not want to do the reality show but that her father persuaded her to do it because it would be about the production of her album: "...I thought that was kind of cool. You're actually seeing a deeper look into how this album got made." She also thought the show, by showcasing her own personality, would help to distinguish her from Jessica.

Geoff Mayfield, Billboard's director of charts, pointed to a combination of factors in explaining Simpson's success with the album.

He described Simpson as the "right thing at the right time" and said: "The MTV show is a huge catalyst, radio jumped all over the song, and her famous sister opened the door. If Jessica never happened, then Ashlee doesn't get her own show and this album doesn't happen."

Zena Burns of Teen People magazine, while noting the importance of effective promotion and Simpson's connection to Jessica, stressed the appeal of "Pieces of Me" in explaining her success: "Ashlee has an amazing promotional machine, and it doesn't hurt to have Jessica and MTV behind you, but she also came out with an insanely catchy pop single."

From July 13 to July 20, 2004 (the week prior to the album's release), MTV.com's "The Leak" featured the album for streaming on its website.

"Autobiography" drew 2.66 million requested streams during the time period, breaking a record previously held by Britney Spears' 2003 album, "In the Zone."

However, Simpson's publicity suffered when a performance on the October 23–24 edition of "Saturday Night Live" went awry. According to Simpson's publicists, her father and manager decided to use a vocal guide track due to issues she was having with her voice, beginning earlier in the day, that were caused by acid reflux.

Although Simpson's first performance of the night ("Pieces of Me") was successful, her second performance, which was supposed to be of "Autobiography" (at the time planned as her third single), went wrong.

"Pieces of Me" began playing by mistake, and Simpson's recorded vocals were heard when her microphone wasn't near her mouth. She subsequently walked off the stage and then apologized for the error during the show's closing.

Some viewers accused Simpson of lip synching, and the incident received widespread coverage in the news. She joked about the incident with a performance of "Autobiography" at the Radio Music Awards on October 25, 2004.

Despite the low points of this period of the album's promotion, there were also significant successes. According to a Geffen press release, her December 6th AOL Music Live performance "had the biggest 1 week audience ever for AOL with 1.6 million plays."

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