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Human (Brandy)

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==Critical Reception==
 
==Critical Reception==
"Human" received generally favorable reviews from music critics, averaging a 67 out of a 100 among averaged reviews on Metacritic.
 
 
Sarah Rodman of The Boston Globe complimented the album as appropriately rich and varied: "It's better than good enough. It's a light, breezy listen that shows off Brandy's resilience, humility, joy, and vibrancy." She especially highlighted Jerkins' input on the album: "Jerkins manages to bring out the expressive best in her pleasantly raspy vocalizing."
 
 
The Guardian writer Alex Macpherson noted "Human" "a thoughtful, intimate work on which Norwood sings movingly about fragility and fear," giving it four and a half stars out of five.
 
 
Andy Kellman of AllMusic called it Brandy's "most platitudinal" and "least enjoyable release in her catalog," adding: "Brandy is clearly in a comfort zone that enables her to open up more than ever [...] Human is nothing if not a serious album. But it could very well be her most useful one." He gave the album three and half stars out of five.
 
 
Billboard magazine said that "while Human is missing the sassy Brandy we know and love from such tracks like 'I Wanna Be Down' and 'Talk About Our Love,' we can still appreciate the much-needed solace of setting personal turmoil to memorable music."
 
 
Jon Dolan, writing for Blender, gave the album three out of five stars and commended Norwood's decision to re-team with Jerkins: "Now she's gone back to girlie hip-hop Eden; four songs were written by Jerkins, author of her best late-'90s hits. Fluttery jams about long distance longing and time-suspending slow dances are balanced by grown-up moments of deeply felt, if slightly weird, balladic fortitude."
 
 
Jon Pareles from The New York Times felt that the sentiments of the songs, whether self-affirming or heartbroken, were back to generic ones: "Song titles like 'Torn Down' and 'Shattered Heart' show how much Brandy is trying to get serious, taking on an adult world where happily ever after is elusive. But she still comes across as a fledgling, a personality still being formed, eagerly tagging along after her role models."
 
 
In his review for Entertainment Weekly, Henry Goldblatt noted "the huskiness that defined Brandy's prior work has been replaced by wispier and higher tones. The result is pleasant but far less ambitious than her last CD, 2004's Afrodisiac."
 
 
Mikael Wood's review for Los Angeles Times was less emphatic. He gave the album one and a half stars out of four, and said: "Unfortunately, it's also hard to make it through the thing. Brandy's strong suit has never been her thoughtfulness; appropriately for someone with her Hollywood history, she's long been one of R&B's emptiest vessels, a gorgeous voice used by a series of gifted producers to communicate their own unique ideas."
 
 
[[Category:2000s albums]]
 
[[Category:2000s albums]]
 
[[Category:R&B]]
 
[[Category:R&B]]
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