Rebel Heart

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"Rebel Heart" opens with the song "Living for Love". Composed in the house genre, it begins with Madonna singing over a "regal" piano line, eventually joined by percussion. Although it's a breakup song, it talks about being triumphant and hopeful.
According to Dean Piper of The Daily Telegraph, the song has "some classic Madonna traits: religious references, a gospel choir, 90s piano beats and a whirling bass". It was compared to her 1989 singles, "Like a Prayer" and "Express Yourself" by Jason Lipshutz of Billboard.
The second track, "Devil Pray", was inspired by how one could be enticed to partake of narcotics to achieve a higher level of consciousness and connect to God. Lyrically, it asks for salvation from a variety of drug abuses, making allusions to Saint Mary and Lucifer, as well as the pain of healing from drug abuse.
Produced by Madonna with Falk, Avicii, DJ Dahi, and Blood Diamonds, "Devil Pray" starts with gentle guitar sounds which build up to an electropop production, accompanied by a house beat.
"Ghosttown" talks about civilizations ending and the world encountering an armageddon, but humans seeing hope amid the destruction.
Written with Jason Evigan, Evan Bogart, and Sean Douglas, it is a power ballad song, which Madonna sings in "piercing" and "warm" vocals like those of Karen Carpenter; the production is comparable to her 1986 single, "Live to Tell".
According to Douglas, "Ghosttown" was written in three days, after Madonna personally requested studio time with him and the other songwriters.
The fourth track, "Unapologetic Bitch", has reggae, dancehall, and dubstep influences. It is a ska song where Madonna speaks negatively about a break-up and her lover, with lyrics such as: "It might sound like I'm an Unapologetic Bitch but sometimes you have to call it like it is." Madonna explained that the song is about having fun regardless of the situation one is in.
"Illuminati", the fifth song, was inspired after Madonna learnt that she was considered one of the Illuminati's members. She decided to research the real Illuminati and then wrote the song.
Lyrically it refers to the Illuminati conspiracy theory, the Egyptian pyramids, the Phoenix, the Age of Enlightenment, and the Eye of Providence among others, with the chorus' lyrics: "It's like everybody in this party is shining like Illuminati."
According to Madonna, Kanye West, who produced the track, loved the melody and changed the composition adding his own spin to it.
Minaj appears on the sixth track, "Bitch I'm Madonna", where she raps, asking everybody to "go hard or go home", while Madonna shouts lyrics like: "I just want to have fun tonight, I wanna blow up this house tonight."
Produced by Diplo and Sophie, the track has a tearing sound alongside the "bleepy electro" and "churning dubstep" composition.
During the writing sessions, Minaj had to rewrite the lyrics until she got the sentiment Madonna wanted.
"Hold Tight" consists of an "arresting" chorus and a drum beat sound, described by Sam C. Mac of Slant Magazine as: "innocuous, lyrically platitudinous pop that briefly works itself up into something exciting when it threatens to become a gospelized stomp."
The eighth track "Joan of Arc", is a ballad where Madonna sings about the media scrutiny of her life, singing: "Each time they take a photograph, I lose a part of me I can't get back." It also references the Roman Catholic saint of the same name.
Madonna's hushed, vibrato-tinged vocals, and confessional lyrics on "Joan of Arc", are enhanced by a new beat instrumentation that utilizes strings and acoustic guitars in the bridge.
"Iconic" features Chance the Rapper and boxer Mike Tyson. Tyson does a spoken word introduction to the song, similar to his addition to Canibus' debut single, "Second Round K.O."
Madonna invited him to the recording studio where he talked about his life; he recorded the introduction in one take.
Consisting of a "weird" beat, "Iconic"'s lyrics find Madonna embracing herself as an icon. "HeartBreakCity" follows "Iconic". A piano ballad talking about lost love, Madonna sings in a deeper vocal register, inspired by baroque pop.
With its synths, banjo sounds, and hollow drums, "Body Shop" describes love as a damaged car on a highway, requiring a body repair to be alive.
West also produced the next track, "Holy Water", where the singer compares her bodily fluids to the title.
With hedonistic sound effects, the song is reminiscent of Madonna's 1990 single, "Justify My Love" and contains a lyrical excerpt from "Vogue." A bassline accompanies the chorus, consisting of moaning sounds, arcade game music, and synths.
"Inside Out" was produced by Mike Dean, and features Madonna's vocals with reverb, accompanied by piano sounds and restrained chords. "Wash All Over Me" follows, and is the last track on the standard version of the album.
Baroque piano sounds, and a steady military beat, lead up to the chorus as Madonna sings about the world changing, heartbreaks, and acceptance. A gospel choir and minimum synths back the song's sound.
The deluxe version of "Rebel Heart" begins with the track "Best Night", an 80s electro composition reminiscent of Sade's songs with drums and Indian flute instrumentation.
Madonna begins the song with the line, "You can call me M tonight" but her voice is not discernible in the chorus, only in the harmonies. There is another reference to "Justify My Love" at one point during the intermediate bridge.
"Veni Vidi Vici" appears next, and is a rap "origin story song" with its lyrics built around Madonna's songs: "I expressed myself, came like a virgin down the aisle / Exposed my naked ass, and I did it with a smile / And when it came to sex, I knew I walked the borderline / and when I struck a pose, all the gay boys lost their minds." Madonna sings the chorus over simple guitar beats, uttering "I came, I saw, I conquered", the English translation of the song's title.
Nas appears for a guest verse talking about his own life as Diplo backs it with shotgun and crunching horn sounds. "S.E.X." is the next track where Madonna asks sarcastically "tell me what you know about sex" over sounds of bass, synths and a string arpeggio.
Near the end she lists a number of bondage items like: "Twisted rope, handcuffs, blindfold, string of pearls".
Described as both an embodiment and critique of the act, "S.E.X." talks about the lack of intimacy with Madonna rapping in a "dispassionate" voice; she purposely made it sound like she had a lisp as she articulated the words.
"Messiah" is a dramatic pop ballad with an orchestra backing and violins. Madonna sings in a "deeper velvety" tone.
The lyrics talk about lighting candles, necromancy, and casting love spells. The title track finishes the deluxe version and was changed completely from its leaked demo. It consists of acoustic guitar and violins, with autobiographical lyrics.
Amy Pettifer of The Quietus noted, "'Rebel Heart' quietly [acknowledges Madonna's] part in building the scene and popularizing stylistics that are the foundation of current trends."
The super deluxe version presents tracks like "Graffiti Heart", where Madonna drew inspiration from her pre-fame friends like artists Jean-Michel Basquiat and Keith Haring evoking the power of art in gaining freedom.
The song was described by the Pretty Much Amazing blog as a "a galloping love letter to creativity", while "Beautiful Scars" is a disco-lite throwback track.
"Borrowed Time" deals with war and social issues[56] while "Auto-Tune Baby" features a baby wailing in the background.
==Chart Performance==
==Chart Performance==
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